Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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Soviet and German deployments near Prokhorovka on the eve of the engagement of 12 July. Positions of the II SS-Panzer Corps are in blue; the red dashed line shows the position of Soviet forces directly opposing the SS-Panzer Corps. The black dashed line is the railway running from Prokhorovka southwest through the Psel corridor (the strip of land between the Psel River and a tributary of the Northern Donets River).
In April 1943, the German leadership began preparing for Operation Citadel, with the objective of enveloping and destroying the Soviet forces in the Kursk salient by attacking and breaking through the base of the salient from north and south simultaneously. The German offensive was delayed several times because of the vacillation of the leadership (Hitler repeatedly delayed launching the attack so that more Tiger tanks could be delivered to the front, hoping that a technical advantage would help him win the offensive) and the addition of more forces and new equipment. The Soviet high command, Stavka, had learned of the German intentions and so used the delay to prepare a series of defensive belts along the routes of the planned German offensive. The Soviet leadership also massed several armies deep behind their defences as the Stavka Reserve. The army group, the Steppe Front, was to launch counteroffensives once the German strength had dissipated. The 5th Guards Tank Army was the primary armoured formation of the Steppe Front. (Full article...)
The Shuttle–Mir program was a collaborative 11-mission space program between Russia and the United States that involved American Space Shuttles visiting the Russian space stationMir, Russian cosmonauts flying on the Shuttle, and an American astronaut flying aboard a Soyuz spacecraft to engage in long-duration expeditions aboard Mir.
The project, sometimes called "Phase One", was intended to allow the United States to learn from Russian experience with long-duration spaceflight and to foster a spirit of cooperation between the two nations and their space agencies, the US National Aeronautics and Space Administration (NASA) and the Russian Federal Space Agency (Roscosmos). The project helped to prepare the way for further cooperative space ventures; specifically, "Phase Two" of the joint project, the construction of the International Space Station (ISS). The program was announced in 1993, the first mission started in 1994 and the project continued until its scheduled completion in 1998. Eleven Space Shuttle missions, a joint Soyuz flight and almost 1000 cumulative days in space for American astronauts occurred over the course of seven long-duration expeditions. In addition to Space Shuttle launches to Mir the United States also fully funded and equipped with scientific equipment the Spektr module (launched in 1995) and the Priroda module (launched in 1996), making them de facto U.S. modules during the duration of the Shuttle-Mir program. (Full article...)
The region that formed the TDFR had been part of the Russian Empire. As the empire dissolved during the 1917 February Revolution and a provisional government took over, a similar body, called the Special Transcaucasian Committee (Ozakom), did the same in the Caucasus. After the October Revolution and rise of the Bolsheviks in Russia, the Transcaucasian Commissariat replaced the Ozakom. In March 1918, as the First World War continued, the Commissariat initiated peace talks with the Ottoman Empire, which had invaded the region, but the talks broke down quickly as the Ottomans refused to accept the authority of the Commissariat. The Treaty of Brest-Litovsk, which ended Russia's involvement in the war, conceded parts of the Transcaucasus to the Ottoman Empire, which pursued its invasion to take control of the territory. Faced with this imminent threat, on 22 April 1918 the Commissariat dissolved itself and established the TDFR as an independent state. A legislature, the Seim, was formed to direct negotiations with the Ottoman Empire, which had immediately recognized the state. (Full article...)
The construction of the cathedral was approved in 1894 by the Ministry of Internal Affairs of the Russian Empire. Groundbreaking was in 1899; construction work began in 1901 and was completed ten years later. Three-aisled and built from red brick, the cathedral is based on a design by architect Tomasz Bohdanowicz-Dworzecki. The style was influenced by Westminster Abbey and Milan Cathedral. With the help of funds from Catholic parishes in Russia and its neighbouring states, the church was consecrated as a chapel for Moscow's Polish parish in 1911. In the aftermath of the Russian Revolution in 1917, the Provisional Government was overthrown by the Bolsheviks and Russia eventually became part of the Soviet Union in 1922. Because the promotion of state atheism was a part of Marxist–Leninist ideology, the government ordered many churches closed; the cathedral was closed in 1938. During World War II, it was threatened with demolition, and was used after the war for civil purposes, as a warehouse and then a hostel. Following the fall of communism in 1991, it returned to being a church in 1996. In 2002 it was elevated to the status of cathedral. Following an extensive and costly programme of reconstruction and refurbishment, the cathedral was reconsecrated in 2005. (Full article...)
The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).
The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ponticello, col legno, flautando, glissando, and flutter-tonguing. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird. (Full article...)
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
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Largest European specimen, a male at Südostbayerisches Naturkunde- und Mammut-Museum, Siegsdorf
The appearance and behaviour of this species are among the best studied of any prehistoric animal because of the discovery of frozen carcasses in Siberia and North America, as well as skeletons, teeth, stomach contents, dung, and depiction from life in prehistoric cave paintings. Mammoth remains had long been known in Asia before they became known to Europeans in the 17th century. The origin of these remains was long a matter of debate and often explained as being remains of legendary creatures. The mammoth was identified as an extinct species of elephant by Georges Cuvier in 1796. (Full article...)
Dubnium does not occur naturally on Earth and is produced artificially. The Soviet Joint Institute for Nuclear Research (JINR) claimed the first discovery of the element in 1968, followed by the American Lawrence Berkeley Laboratory in 1970. Both teams proposed their names for the new element and used them without formal approval. The long-standing dispute was resolved in 1993 by an official investigation of the discovery claims by the Transfermium Working Group, formed by the International Union of Pure and Applied Chemistry and the International Union of Pure and Applied Physics, resulting in credit for the discovery being officially shared between both teams. The element was formally named dubnium in 1997 after the town of Dubna, the site of the JINR. (Full article...)
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Extent of Ali Bey and Zahir's territory between 1768 and 1774 and Russian naval movements in the Levant, based on the accounts of Sauveur Lusignan, a contemporary historian Beirut was twice occupied during the Russo-Turkish War of 1768–1774 by squadrons of the Imperial Russian Navy's Mediterranean Fleet, first in June 1772 and second from October 1773 to early 1774, as part of its Levant campaign. Russia's main objective in this campaign was to assist local forces led by Egypt's autonomous ruler, Ali Bey al-Kabir, who was in open rebellion against the Ottoman Empire.
Russia, led by Catherine the Great, was pressing the Ottomans in Europe. Ali took advantage of the Empire's preoccupation with Russia to declare Egypt's independence; in 1771 he sent an army led by Muhammad Bey Abu al-Dhahab to occupy Ottoman territory in the Levant. Abu al-Dhahab unexpectedly returned to challenge Ali for control of Egypt. Ali requested Russian military assistance against both his rival and the Ottomans. When this aid, in the form of a small Russian squadron, arrived in the region, Ali had already fled Egypt and taken refuge in Acre, the power base of his ally, Zahir al-Umar. After helping repel an Ottoman offensive on Sidon, the Russian squadron sailed for Beirut. They bombarded the town in June 1772 and occupied it from June23 to 28. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
The Gurian Republic was an insurgent community that existed between 1902 and 1906 in the western Georgian region of Guria (known at the time as the Ozurget Uyezd) in the Russian Empire. It rose from a revolt over land grazing rights in 1902. Several issues over the previous decades affecting the peasant population including taxation, land ownership and economic factors also factored into the start of the insurrection. The revolt gained further traction through the efforts of Georgian social democrats, despite some reservations within their party over supporting a peasant movement, and grew further during the 1905 Russian Revolution.
During its existence, the Gurian Republic ignored Russian authority and established its own system of government, which consisted of assemblies of villagers meeting and discussing issues. A unique form of justice, where trial attendees voted on sentences, was introduced. While the movement broke from imperial administration, it was not anti-Russian, desiring to remain within the Empire. (Full article...)
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
The Tauride Palace is one of the largest and most historic palaces in Saint Petersburg, Russia. It was designed by Ivan Starov for Prince Grigory Potemkin, and was constructed between 1783 and 1789. After the owner's death, it was purchased by Catherine the Great, who constructed a theatre in the east wing and a church in the west wing. Many improvements were also made to the grounds, including construction of the Admiralty Pavilion, the gardener house, the orangery, glass-houses, bridges, and ironwork fences. Although the exterior of the building was rather plain, the interior was very luxurious. More recently, the building housed the first Imperial State Duma (1906–1917) and the post-revolution provisional government.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
Lenin, a Soviet nuclear-powered icebreaker, was both the world's first nuclear-powered surface ship and the first nuclear-powered civilian vessel. The ship entered operation in 1959 and worked to clear sea routes for cargo ships along Russia's northern coast. Nuclear power proved to be an ideal technology for a vessel working in such a remote area, as it obviated the need for regular replenishment of fuel. From 1960 to 1965, the ship covered over 85,000 mi (137,000 km) during the Arctic navigation season, of which three-quarters was through ice. After being decommissioned in 1989, the vessel was subsequently converted into a museum ship and is now permanently based at Murmansk.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
This photograph of Skudina, taken in 2009, is part of a collection of 500 images of Russian sportspeople released to Wikimedia Commons by Bolshoi Sport.
... that 17th-century Russian diplomat Pyotr Ivanovich Potemkin(pictured) is reputed to have insisted on lying in bed during an audience with the King of Denmark, who was himself confined to his bed, to demonstrate equality between Russia and Denmark?
Kurnik (Russian: курник; "chicken pirog"), also known as wedding pirog or tsar pirog, is a dome-shaped savoury Russian pirog (loosely, a pie) usually filled with chicken or turkey, eggs, onions, kasha or rice, and other optional components. Sometimes filled with boiled rooster combs, this pirog originated in Southern Russia, especially in Cossack communities, and was used as a "wedding pirog" in the rest of the country. It is dome-shaped, unlike any other non-sweet pirog. In special cases, it was served to tsar himself. Even today, this pirog is served on special occasions in most of Russia. (Full article...)
Eduard Anatolyevich Streltsov (Russian: Эдуа́рд Анато́льевич Стрельцо́в, IPA:[ɨdʊˈartɐnɐˈtolʲjɪvʲitɕstrʲɪlʲˈtsof]ⓘ; 21 July 1937 – 22 July 1990) was a Soviet footballer who played as a forward for Torpedo Moscow and the Soviet national team during the 1950s and 1960s. A powerful and skilful attacking player, he scored the fourth-highest number of goals for the Soviet Union and has been called "the greatest outfield player Russia has ever produced". He is sometimes dubbed "the Russian Pelé".
Born and raised in east Moscow, Streltsov joined Torpedo at the age of 16 in 1953 and made his international debut two years later. He was part of the squad that won the gold medal at the 1956 Melbourne Olympics, and came seventh in the 1957 Ballon d'Or. The following year, his promising career was interrupted by allegations of sexual assault shortly before the 1958 World Cup. Soviet authorities pledged he could still play if he admitted his guilt, after which he confessed, but was instead prosecuted and sentenced to twelve years of forced labour under the Gulag system (abolished in 1960 and replaced by prisons). The conviction was highly controversial, with many pointing to conflicts between Streltsov and government officials. (Full article...)
... that Cambridge don R. R. Bolgar was heard to say that if it had not been for a misfortune, he might well have supported the Nazis as a landowner in Moravia and been murdered by the Russians?
... that street artist TVBoy, known for his murals of footballers in Barcelona, painted uplifting art in regions of Kyiv ahead of the one-year anniversary of the 2022 Russian invasion?
... that Matei Donici, a general in the Imperial Russian Army, secretly wrote poetry with Romanian-nationalist and anti-Russian messages?
Let a man find himself, in distinction from others, on top of two wheels with a chain — at least in a poor country like Russia — and his vanity begins to swell out like his tires. In America it takes an automobile to produce this effect.
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